Philological criticism and rhetorical-stylistic analysis of each Canto; study of its characterization and philosophical themes; comparison with other cantos and with its own sources; comparison of ancient and modern commentaries on Dante’s Divine Comedy.
Presented in the context of a conference on the Commedia, conceived and directed by Professor Giuilia Capo, Liceo E. Q. Visconti – Rome, 1999-2001
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